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An easel appears, and soon after a canvas "walks" up from the floor of its own accord and takes its place on the easel. Now an artist's portfolio is seen, it opens up and different parts of a sketch which are enclosed therein, mysteriously fly from it upon the canvas until finally all the parts resemble the image of a man. When completed, the picture becomes animated and comes down upon the ground and engages in some merry antics with its own skeleton which shortly after is changed into a lady. After frolicking around for an interval, the man is changed to a sketch on the canvas; then it begins to dismember itself, one portion at the time. After all the parts of the sketch are in the portfolio, it folds itself up; then the animated person appears from some mysterious source and carries off the portfolio in which his own image is enclosed.

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When a young girl's sketchbook falls into a strange pond, her drawings come to life-chaotic, real and on the loose. As the towns descends into chaos, her family must reunite and stop the monsters they never meant to unleash.

A police sketch artist who believes he has stumbled upon the suspect from one of his drawings becomes convinced he knows how to do the right thing.

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A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

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The film is based on the novel of the same name by Ivan Hryhurko. The story is about the difficult life of young mechanics working on an irrigation canal in the steppe. Each of them has his own problems: a long-standing enmity, a prison past, family problems, and a complicated love for a single mother with a child. But the difficult remote work in the steppe forces everyone to change their outlook on life.

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